", Tim McKnight: “I have built several with Lutz (which is a hybrid of Sitka and Engelmann BTW). It isn't the end all of them but just another fine option to consider.”. You see it in everything from custom acoustic guitars to fretboards on production model electric guitars, as they search for a viable alternative to buck diminishing resources and rising prices of the much-lauded rosewoods. Jatoba is exceptionally stiff, strong, and hard—representing a great value for woodworkers seeking high-strength, low-cost lumber. Those are the reasons I like it for structural elements.... BL would be my first choice for the center laminations. The first thing I noticed when I picked up our all solid wood, Jatoba top F2002J (and later the F1002J) was its warm midrange. Tonewood Spotlight: Jatoba. In terms of density I found it to be more in line with Mahogany or Koa. ", To my ears, a Lutz Spruce top adds warmth akin to Engelmann Spruce, but has greater headroom than Engelmann Spruce. Create your own unique website with customizable templates. Visually, it goes well with most appointment schemes and top wood selections. Kembang has a course uneven though straight grain. In other words, the guitars that I've had with Lutz Spruce tops generally handle strumming better than their similarly sized Engelmann Spruce topped bretheran. The timber is not easy to work. Currently there are only two suppliers / sawyers that I am aware of that harvest and supply it....There are several well known luthiers who are really going gah-gah over Lutz. However, it also states that jatoba with many dark stripes is more prone to distortion. Sourcing in these ways often provides interesting stories or history relating to the wood, and the guitar made from it. The result was a tone I hadn’t yet experienced with an acoustic guitar, but one that was pleasing and desirable for its unique EQ curve. The name of the wood may refer to dark stains on the hands of woodworkers, caused by the high levels of tannin in the timber. Jatoba keeps showing up more and more in recent guitar builds. A click on each underlined wood takes you to a Sub-Page where photos are arranged alphabetically by wood. It is one of the newest tonewoods to hit the scene in recent years and it is a great tonewood. It is  well-suited for steambending. Jatoba keeps showing up more and more in recent guitar builds. © 2020 ANDREW WHITE GUITARS + ALL RIGHTS RESERVED. On our laminate back/sides models with a solid Jatoba top, such as the Cybele 100J, the sound captures the same woody midrange and clarity as its big sisters, but with a crisper and slightly less rounded tone–still a fantastic sound in its own right. This wood will be used as a substitute for now scarce Koa since its grain and color is very similar. On occasion, I have used BL for back braces and the upper transverse brace. I guess these dark stripes indicate tension wood. Also, the stiffness, especially when compared to weight, was not as high as spruce- again, putting it more in line with Mahogany. They are saying things like "it shares many of the vintage tonal traits of the best pre-war guitars" to "it rivals the best Euro spruces that I have ever used". It is difficult to get QS backs because the trees are relatively short-lived. Again, to my ears, Lutz Spruce does not seem to enhance or create overtones. All of it that I have used and in stock has little runout with gorgeous cross grain silking or medular rays. I especially loved the way single notes felt full and warm with a consistent tone across each string. If you’re looking for an alternative to the usual tonewoods, I highly recommend jumping into one of our Jatoba guitars. True lignum vitae is in the genus Guaiacum and comes from the West Indies. 013 You can find the exact size in the last picture. It may be nailed with ease, but gluing may produce rather variable results. There’s a specific clarity and warmth to them that you won’t find anywhere else. 2 Pieces of sawn veneer Jatoba bushhammered "Bookmatched" beautifully grained As a set for building a guitar Set No. Bright players need to be careful because of koa’s existing brightness (one might try experimenting with different pick materials). Working at the Andrew White Guitars home base in Morgantown, WV, I’ve had the rare luxury to try out and A/B a variety of tonewoods in similar guitar bodies. It didn’t have the same midrange bark that we are used to with Mahogany, but rather a rounder, fuller sound–rich in low mids, with clarity in the top end that rivals more traditional tonewood combinations.

jatoba as a tonewood

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